Rugs, Carpets, and Decorating

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Afro-Tibetan Fusion Rugs

Posted by Chris Sobotowski on Fri, Aug 28, 2009
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The growing popularity of Tibetan-weave rugs has expanded the design pool of hand-woven rugs dramatically. These rugs are often categorized as "contemporary" or "transitional" whether they have original designs or ones base upon some other tradition. We at Landry & Arcari have produced several rugs based on the rich, but under-appreciated, African textile tradition. If you are in the vicinity of either our Boston or Salem, MA, showrooms, check out these rugs.

Below are three rugs that are African designs interpreted in Tibetan rugs woven in Nepal. All three these rugs are approximately 6 feet by 8 feet 6 inches in size.

The Kuba and Shoowa people of the Democratic Republic of Congo have long been producing exceptional works of art in wood carving and textiles. Of particular interest to are the raffia cloth embroideries. Raffia is a fiber made from a number of species of palm trees indigenous to Africa. The embroideries are small squares incorporating abstract geometric figures, various shades of brown, and variations in texture for the design.

Tibetan rug with a design based on an African textile design.

Our "Shoowa" is a 100 knot rug using Tibetan wool, mohair, and silk. The silk in the rugs shimmers. The striped lines throughout the design are silk.

A Tibetan rug based on an African textile design with a repetetive pattern.

Our "Raphia" is also 100 knot rug also using Tibetan wool, mohair, and silk. However, instead of a large-scale design it emphasizes texture. As in the Kuba inspiration the rug has variations in texture and random placement of color.
Each of the pile diamonds in the design is surrounded by a flat area.

In North Africa we find a different esthetic. The Berber nomads in the Atlas Mountains produce shaggy rugs with random lines. Often these rugs depend on natural wool colors to form the design.

 A Tibetan rug with a design based on the rugs of tribal Berber people of  North Africa.

Our "Ruafa" rug is a 60 knot rug of 100% Tibetan wool pile. It is not a reproduction of a Berber rug; it is definitely a Tibetan rug. However, it has a simple abstract design that reflects its Berber inspiration. It also has the advantages that its shorter and denser pile is more practical and that it can be made to almost any size.


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Oriental Rugs in a Historic Home: The House of the Seven Gables

Posted by Laura Arcari on Thu, May 07, 2009
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Because of our store's location, in an area rich in antique homes, we often supply Oriental Rugs to owners of historic properties. One of our more recent fascinating jobs was working with the curator of The House of Seven Gables in Salem, MA, to supply period-accurate rugs not far from our Salem store, the Turner-Ingersoll Mansion was built in 1668 by the wealthy merchant John Turner. The house is known popularly today for the novel of the same name by Nathanial Hawthorne, The House of Seven Gables. It is the oldest surviving seventeenth-century wooden mansion in New England. Opened up to the public in 1910, the property is on the National Register of Historic Places. For more detail about this marvelous house see: http://www.7gables.org.

The house itself was remodeled and restored over the centuries, and just as the house evolved, so too did the furnishings. With this in mind, the curator decided to furnish the rooms with period furniture and rugs from the mid 18th to mid 19th century. The original rugs from the 18th century were long gone, so the curator approached Landry & Arcari Oriental Rugs and Carpeting to help them find suitable antiques or reproductions of rugs in a style that would have been common in this period.

There was no documentation on exactly what sort of rugs were in the house originally. However, since the Turners were very wealthy at the time and both owned and dealt in fabrics from all over the world, we can assume that the family would have had access to the very best rugs. The curator concluded after research that Transylvania rugs would have been most appropriate for a wealthy home of this period. The museum gave us pictures of old Transylvania rugs that they wanted us to emulate and in consultation with the curator, we arranged for reproductions of three rugs in the Transylvania style to be made in Turkey for the museum.

The name itself for this style of rug is misleading, because the rugs most likely did not originate in Transylvania (region in northern Romania). They received their name because so many of them were discovered in the Lutheran churches of Transylvania. Rug scholars believe that most of these rugs were woven in Turkey and most likely ended up in the region due to trade throughout the Ottoman Empire.

The reproduction rugs that we had made for The House of Seven Gables are now on display in three rooms of the museum.

 Transylvania rug in the House of the Seven Gables parlor

Here you can see a Transylvanian rug used in the parlor of the museum. Note how bright the wallpaper, paint, and rug colors are. The palette for this particular rug was developed to match the period accurate wallpaper.

Transylvania rug in the House of the Seven Gables dining room

 

The largest rug appears in the dining room. Again, note how the rug colors coordinate with the wallpaper. All of the wallpaper in The House of Seven Gables was based on the original paper which was found on the wall under centuries old layers of wallpaper and paint. The reproduction wallpaper itself was made using traditional techniques, as were the Transylvanian rugs that were woven by hand in Turkey, using natural plant dies just as a rug of the 18th century would have been made.

Transylvania rug in the House of the Seven Gables bedroom

 

Finally, the museum commissioned us to have this smaller rug made for one of the house's bedrooms.

Original Transylvanian rugs can be found in museums and in important collections. We are also proud to offer a terrific contemporary copy of a Transylvania rug.

Reproduction of a Transylvania rug



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Bringing Education to the Cottage Rug Industry

Posted by Laura Arcari on Fri, Apr 17, 2009
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We're a big fan of Design New England, a magazine focusing on the best in architecture, interior design, and garden design around New England. We are especially pleased then to be a part of the January/February 2009 issue.

Education for Rug Weavers' children in India.  Jan/Feb Design New England

Design New England, January/February 2009 - see page 104

Rug weaving has long been a "cottage industry" and although workshops have been the source of many rugs, the homes of the weavers are the source of many more. Weavers weave outside their homes on portable looms. The weaver may sell her rugs at the local market place, under contract to an exporter, or hold on to the rugs until the family needs money from their sale. The original "at home" business, cottage rug weaving operations have employed families for centuries.

Jeffrey, our Oriental Rugs Manager, makes frequent buying trips to Southeast Asia. In his travels to work with his overseas rug productions, he found that most of the local children of the rug weavers involved in the cottage rug industry were unable to attend school because of the high cost of school and the prohibitive distances to get there. To improve the lives of our carpet producers and their families, Landry & Arcari Oriental Rugs and Carpeting made a substantial donation to have a school built in the Bhadohi district of northern India. Now serving 200 children, the free school has made education available for the children of the community, most of whom are the first generation in their family to attend school.


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Art Deco and Contemporary Rugs at the AD 20/21 Show

Posted by Laura Arcari on Wed, Apr 08, 2009
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We were pleased to participate last week in AD 20/21 - Art and Design of the 20th and 21st Century - at The Cyclorama at The Boston Center for The Arts in the South End. Landry & Arcari was one of 50 exhibitors offering rugs, fine art, furniture, glass, ceramics, decorative arts, photography, sculpture, jewelry, and other items from the 20th and 21st Century. When we weren't tending the booth, we reveled in beautiful examples of art nouveau, arts and crafts, art deco, mid-century modern, and contemporary pieces.

 

Jeffrey Arcari at the Landry & Arcari booth at the AD 20/21  Show

 

Jeff Arcari at the Landry and Arcari booth

 

The fun kicked off on Thursday, March 26 at an event to benefit the Boston Architectural College. Catered with live music, all of the proceeds of the opening went to support the BAC, New England's largest independent, accredited college of spatial design. The event was a rousing success -- the gala preview raised more than $100,000 for the Boston Architectural College. As part of the fundraiser, we raffled off $2,000 towards a custom rug.

 

Here are some images of the most popular rugs at our booth:

Nishikigoi rug - based on an Aesthetic Movement design by Candace Wallace.

Two new designs from our own production line:  Nishikigoi left) and Nouveau (right)

Nouveau - Landry & Arcari exclusive design, based on an Art Nouveau painting

Chinese Art Deco, circa 1930

         Chinese Art Deco Rug, Circa 1930

 

Look for more information on Art Deco Rugs and custom rug production in future posts.


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Picking the Right Size Rug

Posted by Laura Arcari on Thu, Apr 02, 2009
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When figuring the size of your rug, consider the size of your room and your decorating tastes. How much floor space do you wish to show?

 

Furniture on a rug creates a warm affect.
Would you like your furniture on the rug for a warm feeling?


Keeping a rug free of furniture creates a crisp look.
Would you prefer your furniture off your rug for a crisper look?


A rug can be the focal point of a room.

A small area rug can provide a focal point.

 

 

For a dining room, choose a rug that has enough room for the chairs.

When placing a rug under a dining table, remember to leave enough room so that the chair legs remain on the carpet when pulled out. About two and a half feet beyond each dimension of the table should leave enough room.

 

A room-size rug creates ambience for a room.
A room-size rug sets the ambience for the room.

Broadloom carpeting can create a comfortable place to relax and play.
Don't forget comfort too - for example, installed broadloom in a bedroom, hallway, or family room insulates while creating a comfortable place to relax and play.


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Rug Design 101: The Range of Rug Designs

Posted by Laura Arcari on Fri, Mar 27, 2009
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There is a vast and diverse range of rug designs available - from ancient, traditional patterns that have been passed down through centuries to contemporary designs that reflect a modern sensibility. Whether choosing from handmade oriental rugs or broadloom carpeting, a world of choices awaits you.
Kashan, an example of a formal oriental rug design, Heriz, an example of a geometric rug design Oushak rug, relaxed in weave and design.

Would you like something formal such as a Kashan design rug with fine and intricate detail (left)? Perhaps you would prefer bold and geometric such as a Heriz (center)? Maybe a rug relaxed in design and weave such as an Oushak best reflects your tastes (right)?

All of these Oriental rug designs are natural complements for fine antiques. However, don't let that limit you; traditional rug designs also look splendid with contemporary furnishings.

Traditional rug in contemporary decor. Traditional rug in a contemporary home.



Gemetric patterns in a contemporary oriental rug. Some rugs emphasize texture over design. Gabbehs, ancient designs with a contemporary feel.

You won't believe the range of contemporary designs now available in rugs. Some contemporary designs show bold geometric patterns (left). Others have little or no pattern and emphasize texture (center). Maybe consider a gabbeh rug, an ancient, tribal design with a contemporary look (right).

And just as traditional rug designs can be used with contemporary furnishings, so too can contemporary rugs be used to great effect with antiques. Don't be afraid to mix it up!

A contemporary rug fitting well with traditional furniture



Transitional oriental rug inspired by a fabric with a floral design

Consider also the increasingly popular "transitional" rugs that use designs that are derived from fabrics. Like fine fabrics, these rugs often emphasize wonderfully luxurious materials, such as silk and mohair. As in fabrics, the designs can vary from cozy to cutting edge. They offer an updated color palette in a wide range of tones, from very soft to strong. And since the designs derive from fabrics, you will easily find upholstery and curtains to match.

Don't be overwhelmed with all these choices; a fine rug showroom can assist you in picking out colors and styles to find the perfect rug for you. Try out rugs in your home to see what fits best. And if you don't find the perfect rug, an experienced rug dealer can look for you or even have one custom-made to your exact requirements.


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Using Carpet Color to Set a Mood

Posted by Laura Arcari on Fri, Mar 20, 2009
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Color draws us in and creates a mood that soothes, uplifts, and inspires.  When choosing a rug, consider the tone of the rug's colors.  Do you want a soft or dark look?  Bright and vibrant colors?  Or something more neutral and muted? A soft-toned rug can brighten up a room; a darker rug sets a more intimate mood.

A soft-toned rug can brighten a room.A darker oriental rug can create a mood of intimacy.

 

The lighting in the room is critical.  Before purchasing a rug, see how it looks as the light changes throughout the day.  A reputable rug dealer will let you try a rug at home before purchasing.  If you are considering broadloom, lay the sample on the floor where it will go and view it at different times of day to see how the color changes in response to the changing light.  And remember, a handmade rug will appear lighter or darker depending from which side it is viewed.

Handwoven rugs often have a lighter side and a darker side.

All the knots in a hand-woven rug face in one direction. The images above show the same rug from opposite directions. If you look at the rug from the end where the knots point (left), the rug will appear darker because the ends of the knots absorb the light.  If the rug is viewed from the other end (right), the rug will appear lighter because more light reflects off the sides of the yarn forming the knots. 

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Rugs: A Foundation for Great Design

Posted by Laura Arcari on Thu, Mar 12, 2009
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How best to integrate all of your various design elements to achieve the style you want can be overwhelming.  To unify your look, consider choosing a rug first.   Once you have selected your rugs and carpeting, the rest of your décor – wall colors, upholstery fabrics, furniture, window treatments, etc. – will follow.  Your rug is the foundation of the room.  If you love your rug, you will love your room.

An antique rug in a traditional room

Contemporary wall-to-wall carpeting in a contemporary room

 

 

 

 

 

 

 

 

 

This blog is dedicated to living with rugs. As owner/operators of Landry & Arcari Oriental Rugs and Carpeting, a rug store in Boston and Salem, Massachusetts, we've had the privilege of experiencing the world of rugs through the people who own them, the weavers who handcraft them, the designers who use "art underfoot" to create compelling and livable designs, and the countries and cultures they come from.  Through this blog we  hope to share some of the unique joy that we’ve experienced as we’ve traveled this world, both literally and figuratively. 

A Tibetan rug weaver in Nepal

Postings will explore trends in design and carpeting, and reflect on the sources around us that inspire us.  Blogs on the beauty, history, and manufacturing of rugs will hopefully serve as a primer on the ancient and fascinating world of rugs.  And because we know that rugs are practical as well as inspirational, we plan to include concrete advice about choosing, using, and caring for your oriental rugs and broadloom carpeting.

If there are specific topics you’d like us to address, let us know.  We hope that by sharing a bit of our world we will encourage you to share yours too.

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